{"id":460,"date":"2019-01-04T17:16:53","date_gmt":"2019-01-04T17:16:53","guid":{"rendered":"http:\/\/icfa.icom.cust.oxymium.net\/conferences\/anteriores\/"},"modified":"2022-02-20T20:27:14","modified_gmt":"2022-02-20T20:27:14","slug":"anteriores","status":"publish","type":"page","link":"https:\/\/icfa.mini.icom.museum\/es\/conferences\/anteriores\/","title":{"rendered":"ANTERIORES"},"content":{"rendered":"

2020-2021 Richmond (cancelled) \/ <\/b>Virginia Museum of Fine Arts, Richmond VA<\/b><\/h4>\n
\n

October 5 & 6, 2020 ; postponed then cancelled<\/b><\/h4>\n

Fine Arts without Cultural Boundaries:\u00a0<\/i><\/b>Research, Display, Perception
\n<\/i><\/b><\/h4>\n<\/div>\n

Fine Arts are displayed not only in their place of creation, but in museums around the world; visitors see Fine Art from all over the world. This poses challenges for curators and audiences.<\/p>\n

How do we present Fine Arts and for whom? Can Fine Arts from different regions create a fruitful dialogue when placed under one roof? What knowledge is necessary or useful and who creates and presents this knowledge? And for whom? Where does the act of research subvert its own cultural origins? What visitors desire which information? How does display affect perceptions of cultures; how does conservation?<\/p>\n

 <\/p>\n

2019 Kyoto<\/b><\/h4>\n

(XXVth ICOM General Conference, Kyoto, 2019 September 1-7)<\/p>\n

Museums as Cultural Hubs : The Future of Tradition<\/p>\n

ICFA individual Sessions, September 2-3 : Western Art in Asian Museums, Asian Art in Western Museums\u00a0<\/i>2019_Kyoto_ICFA_IndividualSessions<\/a><\/i><\/p>\n

ICFA Off-Site Meeting, Osaka, September 5\u00a0 : Visit to Osaka City Museum of Fine Arts and National Museum of Art\u00a02019_Kyoto_ICFA_OffSiteMeeting<\/a><\/p>\n

ICDAD, ICFA, GLASS joint session, September 4 2019_Kyoto_ICFA, ICDAD, GLASS 4 September Joint Session<\/a><\/p>\n

<\/h4>\n

2018 Madrid<\/b><\/h4>\n

Joint meeting ICFA\/ICEE<\/p>\n

Cultural Heritage : Transition and Transformation<\/p>\n

Minutes<\/a>\u00a0and Lectures during the ICFA Session<\/p>\n

<\/p>\n

\n

<\/p>\n

 <\/p>\n

2017 Copenhagen<\/b><\/h4>\n

Changing rooms?! Permanent displays and their storage<\/p>\n

Programme, delegates list and Minutes<\/a><\/p>\n

 <\/p>\n

2016 Bassano del Grappa and Milan<\/b><\/h4>\n

XXIVth General Conference – Joint meeting ICFA\/COMCOL<\/p>\n

Art collecting and the sense of place: an integral and integrated approach towards arts, other heritages and collecting<\/p>\n

Programme and Abstracts<\/a><\/p>\n

Minutes<\/a><\/p>\n

 <\/p>\n

2015 Lausanne<\/b><\/h4>\n

The Museums of Fine Arts in the digital area<\/p>\n

Programme, Delegates and\u00a0 Minutes<\/a><\/p>\n

 <\/p>\n

2014 Palermo<\/b><\/h4>\n

Old and new outfittings in the Fine Arts Museums<\/p>\n

Programme<\/a><\/p>\n

Delegates List<\/a><\/p>\n

Minutes<\/a><\/p>\n

 <\/p>\n

2013 Rio de Janeiro<\/b><\/h4>\n

(XXIIIrd ICOM General Conference)<\/p>\n

Places for reflection : Museums as connectors of cultures, times, people and social groups – Conference coorganised by DEMHIST, Glass, \u00a0ICDAD and ICFA<\/p>\n

Programme, delegate list and minutes<\/a><\/p>\n

 <\/p>\n

2012 Moscow<\/b><\/h4>\n

Museum Complexes: Principles of functioning, management and development<\/p>\n

Programme, Delegates List, Minutes<\/a><\/p>\n

Lectures<\/a><\/p>\n

 <\/p>\n

2011 Malta<\/b><\/h4>\n

The Mediterranean as a Hub for Artistic Ideas<\/p>\n

Minutes<\/a><\/p>\n

Study Day – Papers<\/a><\/p>\n

 <\/p>\n

2010 Shanghai<\/b><\/h4>\n

(XXIInd Gen\u00e9ral Conf\u00e9rence of ICOM)<\/p>\n

From Silk Road to Containers Ship : Artefacts, Environment and cultural transfert<\/p>\n

Conference\u00a0coorganized by DEMHIST, Glass, ICDAD and ICFA<\/p>\n

Programme, Abstracts<\/a><\/p>\n

 <\/p>\n

2010 Oxford<\/b><\/h4>\n

The New Museum: Buildings and Display Strategies for the Early 21st Century<\/p>\n

Programme, Delegate list and minutes<\/a><\/p>\n

 <\/p>\n

2009 Rome<\/b><\/h4>\n

Rome and the World: The Arts in Rome from 1860 to 1911<\/p>\n

Abstracts<\/a><\/p>\n

Programme, Delegates list, Minutes<\/a><\/p>\n

 <\/p>\n

2008 Athens<\/b><\/h4>\n

Greece and the World: Artistic Exchange and Influence from 1800 to the Present Day<\/p>\n

Programme<\/a><\/p>\n

Study day programme<\/a><\/p>\n

Study day lectures<\/a><\/p>\n

Delegates List<\/a><\/p>\n

 <\/p>\n

2007 Vienna<\/b><\/h4>\n

(XXIst ICOM General Conference)<\/p>\n

Fine Art Collections and the Role of the Curator: Historical perspective and\u00a0curatorial practice<\/p>\n

Programme, Minutes<\/a><\/p>\n

 <\/p>\n

2006 Coburg<\/b>\u00a0(with visits to Gotha, Weimar, Altenburg, Dresden)<\/h4>\n

Fine Art Collections in Their Historical Contexts<\/p>\n

Programme, Delegates list, Minutes<\/a><\/p>\n

 <\/p>\n

2005 Dublin<\/b><\/h4>\n

The Future of Fine Art Museum : Permanent Collections or Temporary Exhibitions<\/p>\n

Programme, \u00a0Minutes<\/a><\/p>\n

 <\/p>\n

2004 Ljubljana<\/b><\/h4>\n

Landscape and Identity in ex-Jugoslavia<\/p>\n

Minutes<\/a><\/p>\n

 <\/p>\n

2004 Seoul<\/b><\/h4>\n

(XXth ICOM General Conference)<\/p>\n

Museums and intangible Heritage<\/p>\n

 <\/p>\n

2003 Helsinki<\/b><\/h4>\n

Artists’ Colonies and Artists’ Travel<\/p>\n

Programme, Minutes<\/a><\/p>\n

 <\/p>\n

2002 New York<\/b><\/h4>\n

Private Collectors and Donors<\/p>\n

Programme, Minutes<\/a><\/p>\n

 <\/p>\n

2001 Barcelona<\/b><\/h4>\n

(XIXth ICOM General Conference)<\/p>\n

Managing change : Museums facing economic and social challenges<\/p>\n

Delegate List<\/a><\/p>\n

Programme<\/a><\/p>\n

 <\/p>\n

2000 St\u00a0Petersburg<\/b><\/h4>\n

18th-Century Collections<\/p>\n

Programme, Minutes<\/a><\/p>\n

 <\/p>\n

1999 Stockholm<\/b><\/h4>\n

European Sculpture: 16th-20th Centuries<\/p>\n

Programme<\/a><\/p>\n

Minutes<\/a><\/p>\n

<\/h4>\n

1998 Melbourne<\/b><\/h4>\n

(XVIIIth ICOM General Conference)<\/p>\n

 <\/p>\n

1997 Poznan<\/b>\u00a0(with visits to Cracow and Warsaw)<\/h4>\n

The Art Market and Illegal Traffic in East European Countries<\/p>\n

Programme<\/a><\/p>\n

Delegates list, Minutes<\/a><\/p>\n

 <\/p>\n

1996 Amsterdam<\/b><\/h4>\n

Museums in Historical Buildings<\/p>\n

Programme, Minutes<\/a><\/p>\n

<\/h4>\n

1995 Nord-Pas-de-Calais<\/b><\/h4>\n

The Museums in Nord-Pas-de-Calais<\/p>\n

Delegates List<\/a><\/p>\n

Programme<\/a><\/p>\n

Minutes<\/a><\/p>\n

<\/h4>\n

1994 Boston<\/b><\/h4>\n

University Museums<\/p>\n

Programme<\/a><\/p>\n

Minutes<\/a><\/p>\n

 <\/p>\n

1993 Budapest<\/b><\/h4>\n

The Museum in Civil War \/ The Absolute Masterpiece<\/p>\n

Programme, Minutes<\/a><\/p>\n

 <\/p>\n

1992 Quebec City, September 21-24<\/b><\/h4>\n

(XVIth ICOM General Conference)<\/p>\n

Rethinking the “Boundaries”<\/p>\n

Programme, Minutes<\/a><\/p>\n

 <\/p>\n

1992 Berlin, October 15-18<\/b><\/h4>\n

Looking East<\/p>\n

Programme, Minutes<\/a><\/p>\n

 <\/p>\n

1991 Copenhagen<\/b><\/h4>\n

Sponsorship in Museums<\/p>\n

Programme, Minutes<\/a><\/p>\n

 <\/p>\n

1990 Florence<\/b><\/h4>\n

The Movement of Works of Art Within the European Community<\/p>\n

Programme, Minutes<\/a><\/p>\n

 <\/p>\n

1989 The Hague<\/b><\/h4>\n

(Xthe ICOM General Conference)<\/p>\n

Picture collection and Display<\/p>\n

Programme, Minutes<\/a><\/p>\n

<\/h4>\n

1988 Munich<\/b><\/h4>\n

The Bavarian National Museum; CIDOC working group “Normes documentaires”<\/p>\n

Programme, Minutes<\/a><\/p>\n

 <\/p>\n

1987 Edinburgh<\/b><\/h4>\n

The Display of Paintings and Sculpture in Fine Art Museums<\/p>\n

Programme, Minutes<\/a><\/p>\n

 <\/p>\n

1986 Buenos Aires<\/b><\/h4>\n

(XIVth ICOM General Conference)<\/p>\n

Fine Arts Museums in Argentina<\/p>\n

Programme, Minutes<\/a><\/p>\n

 <\/p>\n

1985 Lisbon<\/b><\/h4>\n

Programme and minutes<\/a><\/p>\n

 <\/p>\n

1984 Venice<\/b><\/h4>\n

Import and Export Control of the Fine Arts<\/p>\n

Programme and minutes<\/a><\/p>\n

 <\/p>\n

1<\/b>983 Lille and London<\/b><\/h4>\n

Lille, 3-6\u00a0 march, Minutes<\/a><\/p>\n

 <\/p>\n

London, XIIIth ICOM General Conference<\/b><\/p>\n

Scholarship Within Fine Art Museums and It’s Transmission<\/p>\n

London, 24-31 july,\u00a0Minutes<\/a><\/p>\n

 <\/p>\n

1982 Stockholm and Amsterdam<\/b><\/h4>\n

The Collecting Activities of Fine Art Museums<\/p>\n

Stockholm, 17-21 april, Minutes<\/a><\/p>\n

Amsterdam,\u00a0 9-10 september, Minutes<\/a><\/p>\n

 <\/p>\n

1981 Manchester and Paris<\/b><\/p>\n

Manchester, Executive Board, 19 may<\/p>\n

Minutes<\/a><\/p>\n

Paris, 18-19\u00a0june<\/p>\n

The Collecting Activities of Fine Art Museums<\/p>\n

Minutes<\/a><\/p>\n

Rules amended<\/a><\/p>\n

 <\/p>\n

1980 Mexico City<\/b><\/h4>\n

(XIIth ICOM General Conference)
\nFoundation of ICFA<\/p>\n

Founding docs<\/a><\/p>\n

 <\/p>\n

1979-1980 : From IAEC (International Art Exhibitions Commitee) to\u00a0 ICFA (International Committee for the Fine Arts (pre c.1900)<\/b><\/p>\n

Preparatory documents<\/a><\/p>\n

1979-1980 Prefounding<\/a><\/p>\n

<\/p>\n

<\/div>\n

<\/p>\n<\/div>\n

<\/p>\n

<\/div>\n","protected":false},"excerpt":{"rendered":"

2020-2021 Richmond (cancelled) \/ Virginia Museum of Fine Arts, Richmond VA October 5 & 6, 2020 ; postponed then cancelled Fine Arts without Cultural Boundaries:\u00a0Research, Display, Perception Fine Arts are displayed not only in their place of creation, but in museums around the world; visitors see Fine Art from all over the world. This poses […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":154,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"yst_prominent_words":[177,173,176,172,170,171,454,453,174,169,122,179,166,175,167,165,69,178,168],"acf":[],"_links":{"self":[{"href":"https:\/\/icfa.mini.icom.museum\/es\/wp-json\/wp\/v2\/pages\/460"}],"collection":[{"href":"https:\/\/icfa.mini.icom.museum\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/icfa.mini.icom.museum\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/icfa.mini.icom.museum\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/icfa.mini.icom.museum\/es\/wp-json\/wp\/v2\/comments?post=460"}],"version-history":[{"count":6,"href":"https:\/\/icfa.mini.icom.museum\/es\/wp-json\/wp\/v2\/pages\/460\/revisions"}],"predecessor-version":[{"id":960,"href":"https:\/\/icfa.mini.icom.museum\/es\/wp-json\/wp\/v2\/pages\/460\/revisions\/960"}],"up":[{"embeddable":true,"href":"https:\/\/icfa.mini.icom.museum\/es\/wp-json\/wp\/v2\/pages\/154"}],"wp:attachment":[{"href":"https:\/\/icfa.mini.icom.museum\/es\/wp-json\/wp\/v2\/media?parent=460"}],"wp:term":[{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/icfa.mini.icom.museum\/es\/wp-json\/wp\/v2\/yst_prominent_words?post=460"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}