this form<\/a>. Please note that on-site attendance will be given priority.<\/p>\n
\nBasic schedule information<\/strong><\/p>\nDay 1: May 16 (Afternoon)<\/span><\/p>\n\n- Keynote presentation<\/li>\n
- Session 1\u2014Can Indian Art Be Global?<\/strong><\/li>\n
- Reception<\/li>\n<\/ul>\n
Day 2: May 17<\/span><\/p>\n\n- Tour of Albert Hall Museum<\/li>\n
- Keynote presentation<\/li>\n
- Session 2\u2014What Does Fine Art Mean in Your Cultural Context?<\/strong><\/li>\n
- Session 3\u2014How Do You Display Art from Other Countries?<\/strong><\/li>\n<\/ul>\n
Day 3: May 18<\/span><\/p>\n\n- Museum Day<\/li>\n
- Visiting several Museums and related institutions within Jaipur<\/li>\n<\/ul>\n
<\/p>\n
Main venue: Jawahar Kala Kendra<\/strong><\/span>
\nAddress: 2, Jawahar Lal Nehru Marg, opp. Commerce College, Jhalana Doongri, Jaipur, Rajasthan 302004, India<\/p>\n
\nSession 1\u2014Can Indian Art Be Global?<\/strong><\/p>\nIndia, which gained independence in 1947, has cultivated a rich visual culture that reflects its long history and diverse regional characteristics. However, traditional arts rooted in indigenous and folk practices, including those from India, exist within a context distinct from the Western concept of authorship or artist-ness. For those involved in the curation and organization of museums and exhibitions, it is essential to fully understand these differences. The concept of “global” must inherently presuppose the existence of locality, and this discussion seeks to explore the possibilities of Indian art within that framework.<\/p>\n
Possible key topics:<\/p>\n
\n- What does art mean for India?<\/li>\n
- Meaning of Religiosity\/Originality\/Style<\/li>\n
- Art and culture after Crown rule<\/li>\n
- Art \/ Folklore \/ Ethnography<\/li>\n
- Narrative of local art<\/li>\n<\/ul>\n
<\/p>\n
Session 2\u2014What Does Fine Art Mean in Your Cultural Context?<\/strong><\/p>\nFine art is a concept deeply rooted in the original cultural, historical, and social contexts, yet it now encompasses diverse meanings and values. This session aims to share interpretations of “Fine Art” across different regions. By exploring how various cultural contexts define and understand the concept of Fine Art, we hope to illuminate the unique characteristics of each region’s identity-driven artistic expressions. Under one broad roof of ICFA, we should be able to explore and reflect on the diverse cultural identities that shape the meaning of Fine Art in our time.<\/p>\n
Possible key topics:<\/p>\n
\n- History and Fine Art(s)<\/li>\n
- What characterizes Fine Art in your culture<\/li>\n
- Art as a common ground<\/li>\n
- Display of National Art<\/li>\n<\/ul>\n
<\/p>\n
Session 3\u2014How Do You Display Art from Other Countries?<\/strong><\/p>\nThe display of artwork reflects our perspective on the cultural background and history from which the work originates. When displaying art from other countries, our unconscious understandings or misunderstandings may influence the presentation. However, this perspective does not need to be merely reflective; it also provides an opportunity for art to generate new meanings and interpretations. This session aims to share the challenges, significance, curation methods, and approaches involved in exhibiting Fine Art from other cultures. Furthermore, we encourage the introduction of exhibitions or practices that respect cultural diversity while offering a unique global perspective, facilitated through dialogue with artists and institutions from different countries.<\/p>\n
Possible key topics:<\/p>\n
\n- East\/West +<\/li>\n
- Education and Exhibition<\/li>\n
- Diaspora and globality<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"
ICFA Annual Conference in Jaipur: Call for papers We are organizing a meeting in Jaipur, India, from May 16 to 18, 2025. This is a suspended meeting of 2024, and we invite ICFA members and ICOM members who are interested in ICFA to submit presentations for this opportunity. This time, we will focus on the […]<\/p>\n","protected":false},"author":99,"featured_media":1184,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[630,620],"tags":[],"yst_prominent_words":[79,298,174,361],"acf":[],"_links":{"self":[{"href":"https:\/\/icfa.mini.icom.museum\/es\/wp-json\/wp\/v2\/posts\/1216"}],"collection":[{"href":"https:\/\/icfa.mini.icom.museum\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/icfa.mini.icom.museum\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/icfa.mini.icom.museum\/es\/wp-json\/wp\/v2\/users\/99"}],"replies":[{"embeddable":true,"href":"https:\/\/icfa.mini.icom.museum\/es\/wp-json\/wp\/v2\/comments?post=1216"}],"version-history":[{"count":3,"href":"https:\/\/icfa.mini.icom.museum\/es\/wp-json\/wp\/v2\/posts\/1216\/revisions"}],"predecessor-version":[{"id":1227,"href":"https:\/\/icfa.mini.icom.museum\/es\/wp-json\/wp\/v2\/posts\/1216\/revisions\/1227"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/icfa.mini.icom.museum\/es\/wp-json\/wp\/v2\/media\/1184"}],"wp:attachment":[{"href":"https:\/\/icfa.mini.icom.museum\/es\/wp-json\/wp\/v2\/media?parent=1216"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/icfa.mini.icom.museum\/es\/wp-json\/wp\/v2\/categories?post=1216"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/icfa.mini.icom.museum\/es\/wp-json\/wp\/v2\/tags?post=1216"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/icfa.mini.icom.museum\/es\/wp-json\/wp\/v2\/yst_prominent_words?post=1216"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}